After the last project, Eye Of The Beholder was something of a breather for me in 2001. It was the author's idea for the scheme of the three repeating faces. It was my idea to do the faces half in shadow, in extreme lighting. With the image itself as straight-forward as it is, I had a little more room to move with regards to the typography work. I wanted this one to look a little more cinematic than the previous two. Looking back now, however, I would change one thing: I would use three slightly-different shots of the face (which is not mine, but is that of a close relative), instead of the same image digitally repeated.
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